"We Are All Trying Here": Fandom Rages – Flawed Masterpiece or Failed Experiment?

The hotly anticipated K-Drama, “We Are All Trying Here,” has ignited a passionate debate across international fandom, with viewers sharply divided on its portrayal of complex characters and the very definition of “slice-of-life” realism. While critics widely lauded the show, fans are currently engaged in a spirited online discussion, questioning whether its artistic ambitions hit the mark or simply “tried too hard.”

At the heart of the contention is the protagonist, Dong-Man, whose deeply flawed and often abrasive personality has become a lightning rod for discussion. Supporters argue that Dong-Man is intentionally written as a “bitter, deeply stuck guy who pushes people away because he’s drowning in his own insecurities.” They defend the show’s realism, asserting that “real life friendships that span decades absolutely DO survive people going through ugly, dark phases,” and that the drama “literally shows how much friction and pain they cause.” They highlight the show’s “slow, philosophical dialogue” and praise the exceptional performances, with KKH delivering a powerful portrayal reminiscent of his work in DP and Kingdom, GYJ in charming form, Han Sun Hwa showing unexpected depth, and Oh Jung Se consistently bringing his A-game. Many see Byun Eun-ah’s character as a realistic foil, drawn to Dong-Man’s “raw, brutal honesty” amidst a fake corporate world, rather than merely “coddling” him. For this faction, “We Are All Trying Here” is a true “slice of life” drama, challenging viewers with its unvarnished look at human struggle.

However, a significant portion of the fandom finds Dong-Man’s character not just flawed, but irredeemable, leading to a broken immersion. Critics argue that “nobody, NOBODY, gets away with acting like that in the real world” without severe consequences, questioning the show’s “unrealistic” depiction of social dynamics. Many felt the show “almost [tried] to shove sympathy for him down my throat,” without earning it, labeling him “a horrible friend first, i just couldnt sympathize with it.” Beyond Dong-Man, concerns were raised about a perceived lack of romantic chemistry, with some suggesting the narrative felt “better suited for a movie” rather than a drama series.

As the dust settles, “We Are All Trying Here” stands as a testament to the diverse expectations within K-Drama fandom. Whether an intentional exploration of human ugliness and resilience, or a misstep in character development and audience engagement, one thing is clear: “We Are All Trying Here” has successfully sparked a conversation that is anything but quiet.